In his
work, Write Like This, Kelly Gallagher takes great pains to highlight how demonstration is the
key to opening students’ minds to both the value of writing and their own capability to write. I am pleased to have found this man’s work—it supports my
own conclusions about teaching writing. Too often, writing is treated as a
mathematical process. Students construct sentences like adding numbers, and
copying from the black-board becomes the sacred ritual of successful learning.
But in
reality, writing is more akin to a physical activity. Any description of
writing remains entirely esoteric to the uninitiated. Conceiving of
“conciseness” and “precision” can only illustrate so much. Writing is best not
taught as theory, but instead as practice. We do not explain to a child how to
throw their first ball, we show them how by winding back our own arm and
hurling it. Writing is the same way; understanding comes from seeing and doing,
not hearing and conceptualizing.
And
yet, writing is not taught this way. Part of this is the practicality of the modern
school system. It is “more efficient” to disseminate worksheets or offer
critique through a students already written assignment. But actually helping
the student craft the assignment—demonstrating how to write a sentence, fixing
a student’s mangled sentence right then and there and discussing the thought
process, or guiding them socratically through questioning to organize both
their thoughts and eventual written output—is nearly impossible when you have
25 students.
A
writing tutor has the opportunity and, I would argue, responsibility to engage
the student at this level. The results of writing an essay with the student
word for word or explaining your thought process and questioning theirs, is
almost immediately rewarding. It is also incredibly invigorating as a tutor. It
puts you in the moment and allows you to use the craft, a refreshing and
empowering experience.
I am
not saying that note taking has no place in the tutoring lesson, but let the
notes be derived organically by your work together, rather than lectured. Start
with a simple concept such as “Conciseness” and then allow the learning to
evolve and be recorded like time-lapsed photographs of a growing plant rather
than analytic shots of an autopsy. Because taught the way writing normally is
today, that is how the student will see it: a dead body of work they have to
pick over and try to emulate. When really, it is an ancient, fluid and constant
process of which they can become a part, joining the ranks of all great humans
in as crucial a right of passage as one’s first steps.
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